Leonard Cohen

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Lore & Background

Johnston's approach to producing Leonard Cohen differed significantly from his "documentary" style used on Bob Dylan's albums or Johnny Cash's live recordings. Instead of capturing fleeting moments, Johnston provided structured support for Cohen's work. He utilized subtle arrangements incorporating strings and background vocals alongside experienced session musicians to shape the sound of Cohen's studio records. This method created a specific sonic environment that complemented Cohen's songwriting. The collaboration was deep enough that in 1972, Johnston joined Cohen on tour not just as an executive producer but actively performing as a keyboard player. During this period, Johnston also expanded his creative role by composing the music for the lyric "Come Spend the Morning," written by Cohen, demonstrating their artistic synergy extended into composition.

In Their Own Story

The studio atmosphere under Johnston's guidance was defined by a specific kind of sophistication and hospitality that invited artists to perform at their best. While Johnston could be laissez-faire in appearance, this style concealed tremendous generosity. He created an environment free from judgment and criticism, full of affirmation where musicians were encouraged to stretch out and do another take. His physical presence during sessions was notable; he would dance for the performers while they sang, moving with them to build confidence. This approach stood in contrast to a simple mechanical recording process. For Cohen's albums like Songs from a Room and Songs of Love and Hate, this supportive atmosphere allowed for the integration of complex elements like strings and background vocals, resulting in a polished yet intimate sound that defined these specific records.

Reader's Guide

Leonard Cohen's recorded output with Bob Johnston includes three key releases: Songs from a Room (1969), Songs of Love and Hate (1971), and Live Songs (1973). Fans seeking the definitive production style for Cohen should look to these albums, which feature Johnston's signature use of subtle arrangements, strings, and background vocals. A notable connection between the two artists occurred in 1972 when Johnston toured with Cohen as a keyboard player. Additionally, listeners can find Johnston's musical contribution to Cohen's writing on tracks recorded by Lee Hazlewood and Engelbert Humperdinck titled "Come Spend the Morning," where Johnston composed the music for Cohen's lyrics.

Did You Know?

• Bob Johnston toured with Leonard Cohen in 1972, serving as a keyboard player during the tour.
• Johnston composed the music for the Leonard Cohen lyric "Come Spend the Morning," which was recorded by Lee Hazlewood and Engelbert Humperdinck.
• Unlike his documentary style with Bob Dylan, Johnston used subtle arrangements with strings and background vocals for Cohen's studio albums.
• Johnston produced three of Cohen's albums: Songs from a Room (1969), Songs of Love and Hate (1971), and Live Songs (1973).
• In the studio, Johnston would dance for artists while they sang to create an atmosphere free from judgment.